从表演角度看苏轼词革新

On the Innovation of Su Shi's Ci——From the Perspective of Performance

"诗乐舞结合"是中国古代艺术的一个优秀传统。词(诗)作为一种表演艺术,与音乐之间有着复杂交织的离合关系。当代人对唐宋词的欣赏是一种仅仅从文字层面分析,而脱离了以歌舞表演为主的现场感的欣赏,这与唐宋人欣赏方式存在巨大差异。苏轼词作为词史革新的代表,实际上具有表演的艺术特质。苏词从表演者性别、表演乐器、表演姿势及表演内容等诸方面作了很大的改革。苏词实际上改变了词——这种盛极于唐宋的艺术表演方式,这是对我们理解苏词在中国词史上革新的不可或缺的艺术审美之弥补。

＂Poem, music with dance＂ is an excellent tradition of the ancient Chinese art. As a performing art, Ci （Poetry） has a complex interweaving relationship with the music. The contemporary people＇s appreciation of Tang and song＇s Ci is only an anal- ysis in text level. It＇s far different from Tang and Song people＇s appreciation way, which appreciates Ci through performance. Su＇s Ci, as an innovative representative in Word history, actually possesses an art feature of performance. In the aspects, like the per- former, musical instruments, performing actions and the content, Su＇s Ci made a huge reform. Su＇s Ci actually changed Ci, which thrived in the Tang and Song Dynasty. This is an aesthetic remedy of Ci in its innovative history.