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真假相生 返璞归真——论老庄哲学对《红楼梦》创作构思的影响

The Creation of Novel—The Dream of Red Mansion—Influenced by the Thought of Zhuangzhou
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摘要 老庄哲学对《红楼梦》的创作构思产生了深远影响。《红楼梦》中僧道形象展现出的独特美丑观、真假神俗之间的二元转换体现了老庄朴素辩证法思想;以物喻人、以物观物是对齐物论的继承;"因空见色、自色悟空",以"无"来导向人世的最终归宿,则是老庄哲学返璞归真理念的体现。 The creation of the novel was deeply influenced by the thought of Zhuangzhou. There appeared the figures of monks of Bud- dhism and Daoism, indicated the unusual beauties and ugliness, and bore the truthfulness and false which can be transformed each oth- er. The techniques of metaphor and artistic conception are the traditional inheritage. The author made use of emptiness in Buddhism to lure people to have the idea that everything will go in vain, which is a part of the concept of Zhuangzhou, that is ' returning to ones original nature.
出处 《安康学院学报》 2013年第2期78-81,共4页 Journal of Ankang University
关键词 《红楼梦》 老庄哲学 创作构思 影响 The Dream of Red Mansion philosophy of Laozi and Zhuangzi creation influence
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参考文献5

  • 1张爱玲.红楼梦魇[M].北京:北京十月文艺出版社.1981:1.
  • 2陈维昭.红学通史[M].上海:上海人民出版社,2005
  • 3陈鼓应.《庄子》今注今译[M].北京:中华书局,1983.
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