日常生活审美范式的确立、发展与匡正

Establishment,Development & Rectification of the Aesthetic Paradigm of Daily Life

现代文学史上的日常生活审美范式作为一种与"启蒙"互补的审美范式,肇端于五四新文化运动,由周作人首倡,在废名等人的笔下获得发展,经由海派、京派作家尤其是沈从文、萧红的书写而不断变得丰富,张爱玲从理论和创作实践两方面对其进行了匡正,完成了对"五四"的回归与超越。日常生活审美范式对海外华文文学影响甚大,也成为了新时期文学的主流。

The aesthetic paradigm of daily life in the modem literary history started as a complementary aesthetic paradigm of the ＂enlightenment＂ in the May Fourth New Culture Movement, was initiated by Zhou -Zuoren, developed in the works by Fei Ming and others, constantly enriched through the efforts of writers from Shanghai and Beijing, especially from Shen Congwen and Xiao Hong, rectified by Zhang Ailing either in theory or in creative practice, thus realizing the return and surpass of the ＂May Fourth Movement＂. This aesthetic paradigm of daily life has produced a great impact on overseas Chinese literature, and has become the mainstream Of literature of the new era.