摘要
《雪晴》集在第一人称叙述中表现出来的作者与家乡"人事"的距离和作者对尚武精神的反思,反映了沈从文适当调整他的回忆性乡土书写叙述策略的努力。在《雪晴》集中,叙述人的讲述、描写、思考在故事的当下进展中进行,却又将讲故事的本领和议论、说明性的因素适当调和起来,这自有作者对不能始终如一从容行文的理解,但如果从讲述效果的取得来看,此种做法可能一方面促进乡土书写所着重处理的诗意境界和外部现实的联系,一方面揭露血淋淋的乡土械斗的残酷性。
The distance between the author and his hometown created by the first person narration in collection of Xueqing, and the reflection upon the militarism, reflect Shen Congwen’s struggle to adjust his writing strategy of country literature. In collection of Xueqing, the narrator recountting, and thinking with the development of the story, while combining with the discussion and explanatory elements. Apart from the author’s understanding of his uneasiness, it can be viewed from the effect of the narration. On the one hand, it can promote the connection between the poetic realm stressed by the country narration and the reality; on the other hand, it exposes the cruelty of country fights.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2013年第2期83-88,共6页
Journal of Hunan University(Social Sciences)
关键词
沈从文
《雪晴》集
第一人称叙述
Shen Congwen
collection of Xueqing
the first person narration