摘要
对于中国设计史研究而言,我们的关注重点大多是落在现当代这一与我们所处时代密切相关的时段,而对于中国从文明开端就未曾间断一路走来的传统设计观念却是有所忽略,其中包括了对中国传统色彩系统的研究。我们在当代设计的色彩运用中,其实已经从某种意义上被动的忘却了自己的历史和传统。中国传统色彩的最重要的存在意义,恰恰就是"观念",它是一种关于社会建构的认识表现,也体现在充满了文化意蕴表达的多层解读中,并由观念转向一种现实中的运用,观念变成了一种隐藏的潜在意识。本文梳理、分析了中国传统色彩系统的基本建构及其观念成因,从设计史、思想史的角度进入,通过对于中国色彩运用的"观念设计"及其历史叙事做出适当的解读。
To the study of Chinese design history,we usually focus on contemporary content,while overlook the traditional design ideas throughout history till today,including the study of the Chinese tradional color system.In contemporary color applies,we have forget the history and tradition passively.The most important usefulness is the idea,which is a view on social construction in many cultural understanding,and turn to a real world applications of knowledge.The idea has become a subconsciousness.This paper analyze the basal construction and origin of the design and thought,and attempt to make a proper reading on the design idea and historical narration in Chinese traditional color system.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2013年第2期38-42,162,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
中国传统色彩系统
五德终始说
正色
间色
观念设计
The traditional color system Design idea Wu De Zhong Shi thoughts Secondary color