摘要
作为以体现中国封建士大夫"隐逸文化"为主的古典私宅园林的杰出代表,苏州古典私宅园林在命名立意、置景点题等方面所具有的文化内涵其实并不纯粹。然而,非常客观地存在于苏州古典私宅园林中文化思想的多元融溶,并没有影响其在园林艺术方面所达到的整体之美。从一定意义上来说,苏州古典私宅园林既是一个"和而不同"的例证,"天人合一"的实在,也是"美在和谐之中"的典范。
As a remarkable representative of classical private gardens that embody the hermit culture of the ancient Chinese literati,the classical private Suzhou gardens are not very complete in their cultural connotations of name determination,scenery selection,and theme clarification,but the multi-integration of cultural elements that objectively exist in the classical private Suzhou gardens does not affect their integral landscape beauty at all.To a certain extent,the classical private Suzhou gardens are typical examples of 'harmony but difference','manheaven integration' and 'beauty in harmony'.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2013年第2期77-80,162,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
苏州园林
多元融合
设计文化
Suzhou garden multi-integration harmonious beauty