摘要
泛音音阶赖以存在的物质基础是原生态泛音乐器,它在世界各地有着丰富的资源。"黑泽学说"的真正价值内核是"音阶起源说",其关键在于提出了人类对于固定的音高关系真正认知是从泛音开始的。音阶并非只有一种,音阶最初是根据乐音中泛音的自然法则形成的,泛音能直接用作音阶,并被移植到人声和其他乐器上,衍化出丰富多样的民族音阶形态。非欧洲音乐的音阶未必都是人为的、随意的,还可能存在泛音移植尚未完成的中间状态的音阶。
The material basis of the overtone scale is the original primitive overtone instrument,which has a lot of resources around the world.The true kernel of the"Kurosawa Doctrine"is "the origin of scale",putting forward that human's understanding about the fixed pitch started from the overtone.There is more than one kind of scale.The scale was originally formed on the basis of the natural law of the musical overtones.The overtones can be directly used as scales and transplanted to the human voice as well as other instruments,and evolve into diverse national scales.Not all of the scales of the non-European music are man-made and random.There may be the scales of the intermediate state in between the transplantation of the overtone.
出处
《浙江艺术职业学院学报》
CSSCI
2013年第1期6-11,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
音阶起源
原生态泛音乐器
泛音音阶
泛音移植
the origin of the scale
the original primitive overtone instrument
overtone scale
overtone transplantation