洛特曼与苏俄文论变迁

Lotman and the Soviet Russian Literary Changes

塔尔图符号学派代表洛特曼理论的研究热度、理论认同度与苏俄文论的沿革变迁同型同构。其理论从冷遇排挤到目前占据"文化语法"高位,代表了形式诗学,意图在历史诗学根基牢固的基础上,建立科学诗学的努力由排斥到认同的过程,同时,也代表了结构研究与历史研究结合、形式研究与内容研究融合、内部研究与外部研究贯通的研究范式为文艺学发展、拓展理论空间的摸索过程。洛特曼理论在本土的广泛传播,标志着当前俄国人文科学研究领域的研究范式已突破"独白主义",摒弃门户之见,由同一性思维模式进度为差异性思维范式,呈现出各类文论流脉兼收并蓄、多元开放的理论格局。

Lotman＇ s theory, as a representative of Tartu semiotics, is very close to the change and development of Soviet Russian literary theory, structurally and formally. The process of being ignored to ＂cultural grammar＂ represents the course of the formal poetics from being repelled to being accepted in the background of historical poetics dominance;meanwhile, it is also a process of probing the study paradigm of literary study by practicing the unity of structur- al study and history study, integration of formal study and content study, interior study and exte- rior study. The wide-spread of Lotman theory symbolizes that the Russian academic field is more open to different thinking mode and develops a more welcoming theoretical pattern.