摘要
《枯河》是一个时代的悲剧。莫言以儿童的视角,展示了其从美到丑、以丑为美、化丑为美的审美观。通过对一组意象的不断叠加构建了奇特的整体意象群,其独特交叉的叙事方式和主观性的感觉描写,叙述了亲人间冷漠的情感和封建势力对人们的毒害,通过小虎被毒打之后感觉世界的异化来表现弱者的悲惨境地,使小说具有独特的创作特色。
Dry River is a tragedy of the times. Mo Yah through the perspective of children shows his aesthetic standard from ugliness to beauty, taking ugliness as beauty and transforming ugliness into beauty. The novel superimposes a set of images and thereby constructs a peculiar overall image group. It narrates, with its cross - narration and subjective description, the indifference between the relatives and the poison of feudal forces, revealing the misery of the weak by presenting the alienation of the world felt by Xiao Hu after he is cruelly beaten. All these make the unique artistic characteristics of the novel.
出处
《集美大学学报（哲学社会科学版）》
2013年第2期70-75,共6页
Journal of Jimei University：Philosophy and Social Sciences
