摘要
在《莫洛伊》中,贝克特将主题之一设定为模糊不清的镜像,将叙事的结构原则设定为镜像反射,使小说分裂为互为镜像的两部分叙事,并使两位叙事者之间的镜像关系和路人A与C之间的镜像关系叠加起来,构成复杂的反射模式。小说中结构对称的餐刀架就是其镜像反射模式的物象,具有"缠线板"的功能。本质上,"镜像写作"就是关于问题主题在镜像阶段的认同困境的写作。
In Molloy, S. Beckett takes the vague mirror as a motif and mirroring as the structural principle of narration. Thus the novel is divided into two mutually reflecting sections, and the mirror relation between Molloy and Moran and that between A and C are closely associated, illustrating a complex mode of reflection. The symmetrical knife-rest is the image of the mode of reflection, and works like a fort-da game. In essence, ＂mirror writing＂ is the writing dealing with the problem subject＇ s dilemma of identification during the mirror stage.
出处
《外语教学》
CSSCI
北大核心
2013年第3期77-80,共4页
Foreign Language Education
基金
国家社科基金后期资助项目"贝克特‘失败’小说研究"(项目编号:12FWW012)的部分成果
