摘要
近30年间中国纪录片的声音创作历程是一条朝向个性化、戏剧性和情境化发展的道路:旁白解说越来越注重声音特质、表现力、节奏感、语气、语调及其延伸性、暗示性和思考性,开始了故事化表述的转向,环境音响成为主题刻画和文化反思的重要载体,主题音乐的变奏与各种情绪、氛围音乐相结合,受访对象扩展到了日常生活的多个方面,他们甚至与故事中的角色共处一个空间,故事里的人物也走到了历史舞台的前景,声音的创作理念和表现手法与民族传统艺术和民族审美心理日益结合。
Over the past 30 years, the process about acoustics - creation of Chinese contemporary documentary is full of personalization.dramatieity and situationality: the narrator is paying more and more attention to the voice characteristics, performance, rhythm, tone, intonation and its extension, suggestibility and reasoning; has begun to shift towards telling sto- ries ; environmental sounds has become the important carrier of the thematic expression and cultural reflction ; the variations of theme music is combined with various mood and atmosphere music;the respondents are extended to many aspects of daily life;and they even share a same space with the roles in the story;the characters in the story also walk onto the foreground of the historical stage;and the creation idea and expressing technique on sounds are combined increasingly with ethnic traditional arts and aesthetic psychology.
出处
《江西教育学院学报》
2013年第1期145-149,共5页
Journal of Jiangxi Institute of Education
关键词
当代中国纪录片
旁白
音响
音乐
独白
Chinese contemporary documentary
narrator
sound
music
monologue