中国文人画钤印的形式美研究

The aesthetic significance of form of seals in the Chinese scholar painting

文人画在发展历程中逐渐融合了诗、书与印章艺术,日臻完善,是一种文化性大于绘画性的绘画形式。中国印章更是一门独特的艺术,汇集了文学、绘画、书法与篆刻的精华,具有丰富的审美内涵。中国文人画中钤印的自觉是绘画与印章艺术的双赢,也是历代文人画家与印人不可磨灭的建树。印画两者由粗疏到完善的结合历程中,形成了特定的规律与形式美,使画面呈现意味深长的整体美感。

The scholar painting gradually fused with the poem style, the style of calligraphy and the seal art in its development, tend- ing to be perfect. It is a painting with more cultural characteristics than pictorial drawing. The Chinese seal is a unique art. It in- volves the essence of literature, （hawing, calligraphy and seal cutting, and is rich in esthetic connotation. The self- seal in the Chinese scholar painting is a win-win between drawing and seal arts, and an indelible achievement of scholar painting and sea] artists in history. In the integration between Chinese scholar painting and seal art from embryonic form to perfect form w a special pattern and aesthetic style have been developed, creating a painting full of aesthetic and cultural significance.