论和声与诗歌——探析瓦格纳音乐理论中“诗歌与旋律在和声中的关系”

On Harmony and Poetry——Wagner's Theory of the Relationship Between Poetry and Melody in Harmony

和声是瓦格纳音乐理论改革的重要成果之一。旋律、和声以及交响乐形成了他的戏剧性风格的三维空间。从韵律与和声、主次音调、和声与旋律三个方面可以探寻瓦格纳音乐理论中和声与诗歌之间潜在的联系。

Harmony is one of the important achievements in Wagner＇s reform of musical theory forming the three dimensions of his dramatic style together with melody and symphony. This paper explores the potential connections between harmony and rhythm, harmony and melody, and primary and secondary tone in Wagner＇s musical theory.