摘要
我们秉持人性的、审美的、历史的三条原则,编写出这部新文学史。上编分五大板块,分别是"五四"文学、左翼文学、国统区文学、延安文学和台湾文学。"五四"文学的主要代表为周氏兄弟,他们承接晚清而有发展和变异;左翼文学的主体是一种政治文化思潮,茅盾代表了其成就和不足;国统区文学主要包括京派和海派,他们显示出"文学的启蒙"的实绩;延安文学不同于左翼文学,主要是"讲话"以后日益成型的以政治为导向的一种体制化文学;台湾文学是国统区文学在台湾的延续,并在新的条件下产生裂变,后果之一就是离散写作现象。总之,百年新文学表现为文学与现实牵连不断的一场跋涉,更是以"人"为最高目标和最后归依的美学升华之旅。
The redaction of the History of New Chinese Literature is completed by upholding the following three principles: the humane,the aesthetic and the historical.The first volume is divided into five parts,namely literature of the May 4th Movement,Left-wing literature,that of Kuomintang Dominated Section,of Yanan and of Taiwan.As the main representatives of literature of the May 4th Movement,Zhou brothers(Lu Xun and Zhou Zuoren) have carried on Late-Qing-Dynasty literature,and have developed it with certain variation.Left-wing literature is a political and cultural trend with Mao Dun representing its attainment and deficiency.Literature of Kuomintang Dominated Section mainly consists of the Beijing and the Shanghai school,indicating the achievements of Enlightenment of literature.Different form Left-wing literature,that of Yanan is an institutionalized,political-oriented literature,especially so after Mao Zedong's Talk on Literature & Art at the Yanan Forum.Literature of Taiwan is a continuance of that of Kuomintang Dominated Section,and a variation under new conditions with Diaspora writing as one of its consequences.In fine,the one-hundred-year-old New Chinese literature is a trudge constantly involving literature and politics,and is the more a journey of aesthetic sublimation that takes 'man' as its loftiest goal and its ultimate purpose.
出处
《山东师范大学学报(人文社会科学版)》
2013年第2期44-57,共14页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
丁帆教授主持研究的国家社科基金重大研究项目"中国现代文学制度史"(11&ZD112)
教育部精品课程教材"中国新文学史"(11&ZD112)的阶段性成果
关键词
人性的
审美的
历史的
启蒙的文学
文学的启蒙
humane
aesthetic
historical
literature of enlightenment
enlightenment of literature