摘要
宏观看来,当代文学制度是一种以政治制度为主导的文化制度。从1949年至今,当代文学60年的变迁以1979年前后的10年为分水岭,形成了文学制度的明显分野。这种分野相对于百年中国新文学而言,又具有不可分离的一体性:无论前30年,还是后30年,都属于同一文学制度范型下的共和国文学。"文革"在当代文学生成中的意义重大,"文革"的文学损伤和针对这些创伤的美学修复,构成了当代文学思潮发展的主要脉络。当代文学通过对历史、美学和人性立足点的不断调整,实现了与台港澳及海外华文文学的再次接轨。
Macroscopically,the contemporary Chinese literary system is a cultural one dominated by Chinese political system.Since 1949 up to the present,the vicissitudes of contemporary literature over the past 60 years has given rise to a clear-cut demarcation of different literary systems with a ten-year period(1975-1984) as its watershed.With respect to the 100 years of new Chinese literature,the sixty years' literature of PRC also is an inseparable unity: regardless of the previous thirty years or the later,they all belong to the same literary system mode under the Chinese literature of PRC.'Cultural Revolution' has played an important role in the formation of contemporary literature.Literary injuries done by the 'Cultural Revolution' and their aesthetic restoration are the main events of the development of cotemporary literary trend.Through a readjustment of the foothold of history,aesthetics and humanity,contemporary Chinese literature has been integrated with literature of Taiwan Residents,of Hongkong,and of Macao,and overseas Chinese literature once more.
出处
《山东师范大学学报(人文社会科学版)》
2013年第2期58-72,共15页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
丁帆教授主持研究的国家社科基金重大研究项目"中国现代文学制度史"(11&ZD112)
教育部精品课程教材"中国新文学史"(11&ZD112)的阶段性成果
关键词
共和国文学
“文革”
美学变迁
literature of PRC
'Cultural Revolution'
aesthetic vicissitudes