由比亚兹莱、谷虹儿的作品谈鲁迅的插图情结

A Talk on Lu Hsun′s Illustration Complex from Works by Beardsley and Koji Fukiya

鲁迅最初倡导"木刻"的行为既有对插图的偏好和情结,也有设想培养能切实服务于"刚健质朴的文艺"的木刻插图画家的意图,只是木刻家们"因生活关系而走散",也"不能做‘末技’之插画",而无从实现。作为对绘画有着热情的文学家、思想家,鲁迅为了实现对国民的思想启蒙、使文学艺术走向大众,一直致力于宣传连环图画和插图创作。从鲁迅出版蕗谷虹儿和比亚兹莱的作品可见,鲁迅在审美意识方面与这两位插图画家具有一致性。

The advocating of ＂woodcut＂ by Lu Hsun is not only from the preference and complex for the illustra-tion, but also from the intension to cultivate woodcut painter to serve the ＂vigorous and simple＂ literature and art. This idea is difficult to realize since the woodcut artists ＂separate because of the living＂ and ＂would not illustrate for this elementary technique＂. However, as a litterateur and thinker with enthusiasm to illustration, Lu Hsun has always been devoted to popularize the creation of strip pictures and illustrations. From the publication of works by Beardsley and Koji Fukiya, it can be concluded that Lu Hsun＇s aesthetic consciousness is consistent with those two artists.