摘要
绘画技术理论是以技术操控为切入点的知识系统,它具有历时性和地域性。西方传统绘画技术理论是以模仿与再现图像为核心、以美的典范形式构建起来的标准,是技术操控与客观视像互生的系统形态,而西方现代绘画技术理论更习惯于将其置于特定的上下文当中、理性地解析图像本身,西方绘画技术理论步入阐释和分析的时代。
The painting techniques theory is based on manipulated as the entry point of the knowledge system, It has lasted and regionality. The traditional Western painting techniques theory is based on imitation and reproduction of images as the core, constructed in the form of a classic beauty standard, Morphology of its system is manipulated and objective video alternate, The modern Western painting techniques which placed in the context of time and space the rational resolution image itself, Western painting techniques theory into the era of interpretation and anal-ysis.
出处
《西安文理学院学报(社会科学版)》
2013年第2期24-26,共3页
Journal of Xi’an University(Social Sciences Edition)
关键词
西方
绘画技术理论
转型
painting technology theory
Western painting techniques theory
Space -time conversion