摘要
文章通过对20世纪60年代生人与上一代人的比较,描述出这一代人的文化身份和精神特质。文章认为,60年代生人在成长过程中的"旁观者"身份以及文化精神史上的"断裂"处境,造成了这一代人在其文化创造过程中,以一种"嬉戏"精神来表达他们对于历史时间整体性的反叛。表现在建筑师如李晓东、王澍等人那里,则以一种偶然性的相遇来传达他们特有的空间理念。
By comparing those born in the 1960s with their immediate predecessors, this article attempts to describe the cultural identity and spiritual characteristics of this generation. The author believes that the identity of ＇the spectator＇ of this generation in their formative years and the predicament of ＇rupture＇ in their cultural and spiritual history have given rise to their rebellion against the entirety of historical time by way of a spirit of ＇play＇ in their cultural and creative processes. Such a spirit finds expression in the work of architects like Li Xiaodong and Wang Shu, who try to convey their own unique ideas of space through a serendipitous encounter.
出处
《时代建筑》
2013年第1期16-19,共4页
Time + Architecture
