摘要
隈研吾在中国的一系列实践活动中,始终如一坚持注重空间体验、弱化空间界限、尊重对材料本身的尝试。文章试图通过挖掘新津·知博物馆设计过程中的侧面,找寻隈研吾建筑思考逻辑的起始和过程。
Kengo Kuma's practice in China has consistently upheld the principles of regard for spatial experience, weakening space borders and respect for material itself. This article attempts to excavate the various facets of the design process of the Zhi Museum in Xinjin in search of the point of departure and procedures of Kengo Kuma's architectural and reflexive logic.
出处
《时代建筑》
2013年第1期106-111,共6页
Time + Architecture
关键词
隈研吾
道
文化建筑
材质
沟通
积极
Kengo Kuma
Taoism
Cultural Architecture
Material
Communication
Positive