摘要
为配合2012年8月27日在我馆开幕为期三个月的"家国山河—周抡园国画作品捐赠展",中国国家博物馆于2012年12月3日召开了周抡园艺术学术研讨会,共有20余位美术理论界的专家、学者出席。与会专家从周抡园先生山水画的传承和所表现出的时代性、创新性,以及对现代中国画的影响力等诸多方面,进行了分析与探讨。一致肯定了周抡园先生山水画的艺术成就,特别是对周抡园先生五六十年代创作的作品所呈现出的时代面貌和创新手法给予充分的肯定和赞扬。认为周抡园先生的艺术成就对研究和展示中国传统山水画在新时代的发展变迁等方面,都具有非常重要的意义。而且是研究当代中国美术史不可或缺的组成部分。
On 3 December 2012, a symposium in association with the exhibition The Beautiful Landscape of My Motherland: Exhibition of Donated Traditional Chinese Paintings by Zhou Lunyuan (27 August-4 December 2012) was held at the National Museum of China. More than twenty scholars on art theory attended the symposium. In discussions on Zhou' s landscape painting, the attendees reviewed Zhou' s achievements, especially the innovative features of the 1950s-60s works, their connections with his time and influence on modern Chinese painting. The art of Zhou is significant to the evolution of traditional Chinese landscape painting within a modern context and therefore is an important part in the history of contemporary Chinese art.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2013年第4期151-157,共7页
Journal of National Museum of China
关键词
周抡园
20世纪中国绘画
学术研讨会
时代性
创新性
Zhou Lunyuan
20th century Chinese painting
symposium
connection with the time
innovation