世界三大演剧体系的符号学研究初探

The Semiotic Interpretation to Three Theatre Systems

斯坦尼斯拉夫斯基、布莱希特、梅兰芳各以其自身的演剧风格形成了并行于世的三大演剧体系。既往的研究侧重对三大演剧体系的艺术特色和风格进行分析。本文则从符号学角度对三大演剧体系进行尝试性解读;从三大演剧体系的主要特征入手,结合符号的能指、所指关系,分析三大演剧体系舞台符号能指、所指离合的不同特征,并进而结合文化符号学的视角,分析三大演剧体系的交流融通。

Stanislavski, Brecht and Mei Lanfang established three most representative theatre systems by advocating different theatre styles. The former studies mainly focused on the analysis of their artistic features and styles. The present study aims at a semiotic interpretation to the three systems. Based on the main features of the systems, this paper analyzes the different relations between the signified and the signifier concerning the stage symbol and discusses the communication of the three systems from the perspective of cultural semiotics.