物质现实,一种目光——安东尼奥尼《夜》的空间设置与调度研究

A Mise en Scène Study of Antonioni's La Notte

意大利电影大师安东尼奥尼的风格来自于新现实主义,但走向了"心理的新现实主义",在60年代初达到纪录空间与心理空间高度统一,代表作为《夜》。导演将影片高度纪录主义的现实空间呈现为一个心理空间:他对生活现实刻意的"复制"是影片纪录空间心理化的首要原因;而视点融合、视点转换是使纪录空间心理化的重要策略;他的空间选取、构成与调度则将影片主导空间抽象化和意念化。

Originated in the Italian neo-realism, Antonioni＇ s style has transformed to psychological realism with the fusion of documentary and psychological space in La Notre in early 1960＇ s. Antonioni displays the highly documentary space as a mental vision. His deliberate reproduction of real life is the fundamental cause of the psychological transition of the documentary space. His merging and changing viewpoints facilitates that effect. And his decisions about the arrangement-selection of space, construction, etc enables the main cinematic space to become abstract and ideational.