唐人在干谒诗中塑造了怎样的士人形象?

What Kind of Scholar Image Did Tang People Create in Self-recommended Poetry?

选择了一百首唐代干谒诗作样本进行研究。研究发现,唐朝时期干谒诗中的士人形象突出地表现为一种追求自我、传播自我的特点,其中审美趣味与功利追求在诗歌中交织为一个矛盾统一体。随着唐朝由盛转衰,士人形象逐渐向复杂性和消极方面演化,在求仕过程中的天真烂漫逐渐被庸俗市侩所稀释,初盛时的"致君尧舜上,再使风俗淳"的与统治阶级心神一致的气象,在中晚唐的干谒传播中演变成了一种技巧的追逐,演变成了私恩结聚的攀附的士人形象。至此,干谒诗似乎有了革命性的一面,它以日益庸俗化的面孔和方式,成了动员和号召"游离统治中心"的社会情绪的传播工具,使更多的士人通过向统治阶级权力中心的靠拢而渐渐走向了它的反面。一个可爱的童话故事渐渐演变成一种小丑剧而落下了帷幕。

The study object of this thesis is one hundred selected Tang self-recommended poems. The research finds that the distinguishing features of scholar image in Tang self-recommended poetry are presented as self-pursuit and self-propagation, and aesthetic taste and utilitarian pursuit are interwoven into a contradictory unity in those poems. With the gloom and doom of Tang Dynasty, the image of scholars evolved to complexity and negative aspects gradually. In the process of pursuing feudal official, naivety was diluted by vulgar and philistine. In early prosperous Tang, the atmosphere of in line with the ruling class, ＂To assist the emperor to be an enlightened ruler and to reproduce the unsophisticated folkways and national peace and prosperity＂ evolved into skill-pursuit and tufthunting according to personal grace in mid-late Tang self-recommended poetry. At this point, self-recommended poems have a revolutionary aspect. With the face and mode being more vulgar increasingly, they became a spread tool to mobilize and call out the social mood of ＂being free from the ruling center＂, making more scholars move closer to the power center of the ruling class while gradually towards its opposite . A lovely fairy tale gradually evolved into a small farce in the end.