摘要
杨春时提出超越美学已经近二十年,但是直到目前仍然很少有人深入到其理论内部对它进行合理的评价。以自由为例,只有深入到超越美学的内部,首先立足于其哲学基础梳理清楚生存、超越、审美等核心概念的真正涵义,而后依照逻辑秩序深入分析自由生存、超越、审美的关系,才可能真正认清超越美学所谓的自由,以消除误解。
It is nearly 20 years since Yang Chun - shi proposed surmounting esthetics, but at present it is still few people to penetrate its theory and reasonably evaluate it. Take the freedom as the example, we have to penetrate into surmounting esthetics based on its philosophy to make the concept clear, such as existence, survival, surmounting, and esthetic. And then, we analyse the relations between freedom and existence, survival, surmounting, esthetic. At last, we can clearly recognize what is the freedom of surmounting esthetics, eliminates the misunderstanding.
出处
《贵州师范大学学报(社会科学版)》
2013年第2期114-118,共5页
Journal of Guizhou Normal University(Social Sciences)
关键词
杨春时
超越美学
自由
海德格尔
Yang Chunshi
Surmounting Esthetics
freedom
Heidegger