摘要
不管作家写作的外在形态是虚拟、想象、抑或写实,其实都是作家借助文字书写下的对历史镜像的个人记忆。作为身跨现当代文学的标志性人物,巴金写作的意义从不只局限于文学自身的范畴,他更适于用来做类型、典型的研究。本文以《随想录》为原点,但不拘泥于封闭的点校解读,而是发散开来,牵衍出一些在当代写作中具有同质同构的问题。本文表达了如下判断:因为"无诚、乏思、少智",所以当代文学缺失了经典的写实主义;因为"媚俗、依附"导致了当代作家主体世界的致命缺陷以及当代文学方向的迷失。而这些问题并不是各自独立,恰恰是层层递进的关系,当然值得关注。
For the writers,although the writing is fictitious,imaginary or realistic,the essence of writing is historical mirror of their personal memories. Countless personal memories constitute our cognition of the history and life,and they present the countless vivid spirit world too. As a symbol character who crossed the modern and contemporary,BaJin’writing is not only in the literature itself,but in the typical research. This paper discusses the homogeneous isomorphism problems of the writing in the Modern Chinese Literature based on the Sui Xiang Lu. This paper involves the following questions: What kind of realism did contemporary literature present? How did the writer build his own subject world? What kind of writing direction is the goal of contemporary literature? These problems are not isolated,but the relationship of them should be interrelated,and should be concerned.
出处
《学术界》
CSSCI
北大核心
2013年第4期134-143,288,共10页
Academics
基金
教育部人文社科2012年规划基金项目:"现代文学‘情色’书写研究"(12YJA751082)的阶段性成果
关键词
镜像
记忆
写实
档案
方向
mirror
memory
realistic
files
direction