摘要
本文主要对舞团编导陶冶的创作路径和审美追求做了初步分析,也对形成其创作观念背后的他个人以及舞团主要艺术家段妮的艺术经历进行了追溯。陶身体剧场目前在国内呈现出的是一种独特的创作范式和身体景观,也在国际范围内提供了一种原创性的身体语汇和动作研究成果,是值得关注和鼓励的一种当代舞实践。
This article is a general introduction of Tao Dance Theatre and a starting exploration of concepts and approaches of the choreography taken by the artistic director and Choreographer of TDT, Mr. Tao Ye. His physical approach of creation displays a new vision of dance in China and some achievements in a way of movement studies on a worldwide scale.
出处
《北京舞蹈学院学报》
北大核心
2013年第2期15-18,共4页
Journal of Beijing Dance Academy
关键词
陶身体剧场
动作质感
身体语汇
陶冶
Tao Dance Theatre
movement quality
body vocabulary
Tao Ye