1950年代诗歌的文学史经验

Chinese Poetry in the 1950s:Its Experience in Literary History

1950年代中国大陆新诗的存在,是诗歌以自己的形式去确认"人民"的存在时,力图建立革命诗歌"大一统"王国的政治主导性力量和诗歌自身生发的多元差异性发生纠结、冲突,由此产生诗歌活力和困境的历史呈现。此时期集体性战歌和个人性情感的冲突,政治性颂歌的类宗教倾向和人民群众真情实感的矛盾,另类诗歌的多样性存在及其命运,都反映出1950年代中国大陆新诗生存的限度,既是一个新生的政权雄心勃勃建立一种它所认定的文学和诗歌的模式的"梦想"所开启的新时代,也是五四以来新诗命运的一种流变。它和此时期的台湾、香港诗歌合在一起,构成中国新诗对于"1949"的跨越。

The new poems of China's Mainland in the 1950s constitute an era featuring both the vitality and plight of poems derived from the clash between their attempt to establish the political predomi- nance of revolutionary poetry and the inherent multivariate forces of poems. During this period, the clash between collective warsongs and individual emotions, the conflict between political carols and the true feelings of the people, the fate of varieties of non-mainstream poems, all reflect the limited range of new poems of China's Mainland in the 1950s. Together with those in Taiwan and Hongkong, they constitute the development of Chinese new poems over 1949.