唐五代王维绘画接受研究

A Study of Acceptance of Wang Wei's Paintings in the Tang and the Five Dynasties

王维以文人画著称于后世,他的山水画在唐代画坛的地位并不很高,但至晚唐、五代逐渐引起人们的关注,至宋、明更是为文人士大夫所推重。究其原因,从唐人所重视的绘画内容及技法来看,王维显然稍逊于吴道子、李思训等人。从唐代审美风格的流变看,唐代文艺雄强、豪迈、开放、奢华的审美取向与王维寂静、清幽的绘画风格格格不入,但随着消费偏好逐渐趋向较少尘世之争的内敛和阴柔,王维的绘画为更多人所接受。从绘画接受者的流变看,自唐至宋绘画接受群体的逐渐变迁及其由此衍生的不同接受倾向,也使王维绘画的地位呈现逐渐上升的趋势。

Famous as a scholar painter,Wang Wei＇s landscape paintings didn＇t take a high place in the world of painting in the Tang Dynasty.His paintings failed to attract attention till the late days of the dynasty and the Five Dynasties,and became much admired by scholars and officials in the Song and the Ming Dynasty.The reason for this is that,in terms of painting contents and techniques stressed in the Tang Dynasty,Wang Wei was obviously inferior to Wu Daozi,Li Sixun and the like.From changes in aesthetic styles,the strong,heroic,open and luxurious tastes of appreciating beauty of literature and art in the Tang Dynasty were incompatible with the silent and quiet style of Wang Wei＇s paintings.However,as people＇s hobby of artistic consumption gradually turned to reserved and delicate taste,Wang＇s paintings began to be accepted by more and more people.In terms of changes in painting acceptors,the place of Wang＇s paintings rose gradually because of gradual changes of accepting groups from the Tang Dynasty to the Song Dynasty and different acceptant tendencies generated from this.