摘要
15世纪是藏传佛教绘画风格的转型期。本文根据藏文历史文献记载和相关研究成果,对藏传佛教本土绘画风格的历史演变做了梳理,并对各绘画流派及其传人的艺术风格进行分析研究。认为藏传佛教艺术从15世纪开始逐渐摆脱了域外艺术的束缚,呈现出本土化的演变态势。
The 15th century is the transformation period of Tibetan Buddhist painting style. This paper combs and analyses its painting style from different genres and descendants based on Tibetan historical literatures and related research achievements. I think the Tibetan Buddhist painting started to get rid of the trammels of outside art from 15th century and began to demonstrate the state of localization evolution.
出处
《青海民族大学学报（社会科学版）》
2013年第2期87-92,共6页
Journal of Qinghai Minzu University：Social Sciences
关键词
藏传佛教
唐卡
本土化
艺术风格
绘画'流派
the Tibetan Buddhist
thangka
localization
art style
genre of painting
