新时期以来流行歌词的社会心理隐喻发微

The Socio-psychological Analysis of the Metaphors in the Pop Songs' Words in the New Era

作为一种大众文化,中国大陆的流行歌曲肇始于20世纪80年代,此后迅速发展,蔚为大观。流行歌曲的主要接受群体为时代青年,因而歌词大多指涉爱情生活。但也有一些歌词在爱情和其他话语的表象下隐喻着某种社会心理,渗溢出别样的艺术趣味。这些社会心理主要包括:梦想破碎,精神失落;玩世心态,赌博意识;价值紊乱,自我迷失;文化自卑,西方迷恋;消解神圣,拒绝崇高;草根心态,弱势情结。把玩流行歌词的社会心理隐喻,有助于加深对不同时代青年人集体无意识的诗性解读,对诗歌和歌词创作也有一定艺术启发。

As a popular culture, the pop songs in China＇ s mainland started from the 1980s and developed very rapidly from then on. As the main acceptors of the pop songs is contemporary youths, so most of the words are concerned about love. But some words of the pop songs implied certain social minds, such as, broken dreams, lost spirits, cynical attitude, gambling sense, unclear values, lost of self, cultural inferiority, worshiping the west, refusing the nobility, the grass-root mentality and inferiority complex. To analyze the metaphors in the pop songs from the socio-psychological perspective will help us better understand the unconscious poetic minds of the youth in different times and also provides certain artistic implication to the creation of pop songs and the words of these songs.