二胡与乐队《垓下遗恨》的结构分析

Analysis of the Strutcture of 《Gaixia Eternal Regret》 Played by a Combination of Erhu and Band

动人的旋律必须具有丰富多彩的形态和活跃的音调线条思维以及严谨的音高逻辑,而和声色彩的变化和在结构发展中的起伏消长的功能,需要不同的叠置方式和进行方式。本文以音高组织逻辑、和声的叠加方式以及整体结构等三个层面,阐述《垓下遗恨》与其他音乐作品的不同之处。

A moving melody must possess various forms and active reasoning of tone line and strict pitch demands.It is quite necessary to have different forms of superposition for the change of concord color and the set-and-rise function in the course of structural development.This paper is to interpret the differences between《Gaixia Eternal Regret》and other musical works in the aspects of the reasoning of pitch organization,the superposing forms of concord and the whole structure.