摘要
古代蒙古人更多地是依赖对生活的模仿,包括再现狩猎﹑采集﹑婚嫁﹑战争等生活场景,来获取快感。蒙古族舞蹈既有民族的多样性,又有地域文化的独特性,它集中地体现了蒙古民族的信仰﹑观念﹑风俗习惯﹑审美心理。蒙古族舞蹈作为草原文化中特有的历史呈现,主要是以其自身的创作和表演为坐标,来传承其文化精神和审美功能的。
The ancient Mongolian is more dependent on the imitation of life, including the reproduction of hunting, collection, marriage, war scenes to get pleasure. Mongolian dance has both the diversity of Mongolia nationality, and the uniqueness of the regional culture, it reflects the Mongolia national faith, values, customs, aesthetic psychology. The Mongolian dance as a unique reflection of grassland culture mainly takes their own writing and acting as the coordinates, to inherit the culture spirit and aesthetic function.
出处
《内蒙古大学艺术学院学报》
2013年第1期131-136,共6页
Journal of Art College of Inner Mongolia University
关键词
蒙古族舞蹈
文化生态
舞蹈文化
传承
发展
Mongolian dance
cultural ecology
dance cuhure
inheritance
development