摘要
对中国现代文学大家茅盾的评价,因其持守以《子夜》为代表的"创作模式"而存在分歧。这一创作模式的确呈现复杂的状况,本身并非毫无可议之处,但它不是作家随意为之的选择,而是适应了特定历史文化语境中的艺术需求,体现了现实主义文学的诸多特点,显出其历史合理性与现实契合性,需要作出准确估量与评价。
Different comments on Mao Dun, a famous writer in modem China, come from his writing mode of Midnight. This mode is indeed complicated, but it is not a free selection but a specific need in a special context of history and culture, which reflects many literary features of realism, the fit of history and reality, so comments on it need to be made.
出处
《河北学刊》
CSSCI
北大核心
2013年第3期72-76,共5页
Hebei Academic Journal
基金
2011年度国家社会科学基金项目<20世纪中国文化语境中的茅盾研究>(11BZW086)