由南朝宫体诗的创作看异化劳动与美的关系

Relationship between Alienated Labor and Aesthetics From the View of Composing of Palace-style Poetry in the Southern Dynasties

马克思在《1844年经济学—哲学手稿》提出了异化劳动理论,并由此论述了其与审美之间的密切关系,认为异化劳动在产生对人的类本质的否定等消极作用的同时,仍可产生积极的审美效应与价值,进而令人的审美意识与感受得以提升、发展。南朝宫体诗虽不乏风格绮靡浮艳、单纯咏物和描写女性、情趣视野狭窄、较少寄怀感思等不足之处,但其仍以语言、格律、对仗等方面的创新继续了此前诗歌的艺术探索而更趋格律化,体现了异化劳动蕴含的审美价值。

The theory of alienated labor was firstly proposed by Karl Heinrich Marx,which stated the close relationship between alienated labor and aesthetics and believed that this relationship improved and developed people＇s aesthetic consciousness and feeling in both positive and negative ways.The palace-style poetries in the southern dynasties represent the aesthetics values of alienated labor by inheriting and developing the previous poetries in the aspects of language,rhythm and balance of two contrasting ideas,words,or sentences.