摘要
以"秋胡戏妻"故事为原型的元杂剧《鲁大夫秋胡戏妻》,在艺术创作上作了大胆创新。它不仅增加了诸多人物,使秋胡、梅英的形象更加丰富、形象,还改变了故事的情节安排,使故事更加跌宕起伏,引人入胜。这些改变的出现,一方面是戏曲冲突本身的需要,另一方面也源于故事所处时代的不同,突出梅英形象的需要和国人的大团圆意识。
Yuan drama "the doctor of Qiu Hu dallying dallying with his wife". But it made a bold innovation with his wife" depend on on the creation of the art. "the story of Qiu Hu It not only increased the number of characters that made Qiu Hu, Meiying's image more vivid but also changed the story's arrangement. So that it made the story more fascinating. These changes on one hand are the needs of traditional conflict itself. On the other hand, also based on the story of the era and highlighting the image of Meiying. In addition, the need of people's reunion consciousness is one of the important factors.
出处
《柳州职业技术学院学报》
2013年第2期81-84,94,共5页
Journal of Liuzhou Vocational & Technical College