摘要
晚清著名书法篆刻家吴让之为邓石如艺术流派的发扬光大者,深得邓氏以隶书的笔法作篆书的奥诀,字法精熟,结体工稳,运笔爽畅,收笔处往往刷出,动势较强。他践行了邓石如"印从书出"的思想,其治印集合其篆书特点,以石带纸,以刀带笔,达到了刀笔相融,使书印合一的表现有了崭新的境界,让书的意味在印章的方寸之间有了更大的容量。
The famous seal cutter WU Rang-zhi in late Qing Dynasty was the person who had inherited and developed the art school initiated by DENG Shi-ru, and got the essence the DENG's Li calligraphy. His writing was skillful, structure was symmetric, strokes were fluent, and the ending was always protruding. And it was strongly dynamic. WU fulfilled the DENG' s thought of seal derived from calligraphy. And his seal cutting strikingly expressed his Li calligraphy, with stone as paper and knife as brush, and reached the fusion between knife and brush, and calligraphy and seal. And it made the calligraphy have more space in the little seal.
出处
《内江师范学院学报》
2013年第5期65-67,共3页
Journal of Neijiang Normal University
关键词
吴让之
弧形笔画
转折
冲刀
WU Rang-zhi
curved stroke
stamping knife