李斗《奇酸记》与清代中后期的戏曲流变

Li Dou's Drama Qi Shuan Ji and the Developments of Traditional opera in the Period of Middle and Late Qing Dynasty

清代李斗《奇酸记》传奇脱胎于张竹坡的"苦孝说",其真正意图是把《金瓶梅》的情色故事搬上舞台,警惩意旨反倒成了一种叙事策略。剧中"二十四解"和"一十八滚"两出,以独特的歌舞形式处理原小说中的感性描写。风格化的处理在原小说中的感性故事与观众的审美接受之间拉开了适当的距离。该剧的创作与魏长生的戏曲表演有着密切的关联。它对清代嘉庆、道光时期的戏曲、曲艺领域的审美思潮有着深远的影响。它标示着清代戏曲史上的一股潜流。

Li Dou's drama Qi Shuan Ji was born out of Zhang Zhupo's Ku Xiao doctrine.His purpose was to preset the story on the stage.The two scenes Twenty-four Jie and Eighteen Gun perform the sex story with songs and dance.Stylizing treatment of story because the drama has a close relationship with Wei Changsheng's performance.It had profound effect to the development of the drama,telling and singing arts in the reign of Jiaqing and Daoguang.