摘要
本文借维特根斯坦的反对"私人语言游戏"之可能性的启发,对中国古典诗歌语言的某种特质进行反思,指出中古诗歌通过情景交融这一独特的抒情方式而在读者心中"召唤"出诗人的"身心独寓之微",从而实现私人体验的主体间"传诉"。
Illuminated by Wittgenstein's arguement of the impossibility of private language-game, I'll make a reflection upon one property of Chinese classical poetic language to touch that the vague emotion in body-heart of the poet is called in the readers' hearts by the fusion of emotions and objects as a distinctive method to express emotions in Chinese classical poetry, which realizes the nlanifestation of private experience between subjects.
出处
《中山大学研究生学刊(社会科学版)》
2012年第4期56-71,共16页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
私人语言
中国古典诗歌语言
情景交融
“味”
private language
Chinese classical poetic language
the fusion of emotions and objects
taste