论汉代俗乐舞风尚

On the Fashion of the Folk Music and Dance of Han Dynasty

经过先秦文化的转型,礼乐等级制度逐步废除,乐舞丧失了其在文化建构中的核心地位。两汉时代,统治阶级的提倡,经济的迅猛发展,享乐风气的盛行,以及人们对自身情感和现实生活的关注,共同推动了俗乐舞的繁荣。当时的俗乐与雅乐交融并存,有着民间与官方两种浑然不分的文化品格,从而第一次成为上下雅俗趋同的、主流的社会风尚。从根本上说,汉代乐舞百戏的普遍流行,是"大一统"格局所带来的多种文化融合的结果。

Through the transformation of the Pre - Qin Culture, the hierarchic system of rites and music was abolished gradually and Music and Dance lost its core position in the cultural construction. During the Eastern and Western Han Dynasties, the advocating of the ruling class, the fast development of the economy, the popularity of the fashion of enjoying music as well as people paying more attention to their feelings and the real life together promoted the prosperity of the Folk Music and Dance. At that time, Folk Music blended and co - existed with Sacred Music and it had folk and official two cultural characteristics, which were totally different. Thus, it became the mainstream social fashion with different characteristics between the upper class and the lower class for the first time. Fundamentally speaking, the popularity of the Music and Dance as well as the Acrobatics was the result of the multicuhural integration brought by the pattern of ＂unification.