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霍桑《红字》的跨媒介传播及其文化阐释

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摘要 本文从具体的历史和文化语境出发,结合相关文艺思潮、电影史以及影视改编理论对《红字》在20世纪早、中、晚期的跨媒介传播进行考察,分析电影工业和电视剧在不同历史时期和社会文化语境中是如何解读《红字》,《红字》的影视再现又如何回应并承载美国当时的社会、政治和文化价值观、与原著构成多重对话并实现经典文学作品的意义增值和文化记忆的循环。
作者 毛凌滢
出处 《外国文学评论》 CSSCI 北大核心 2013年第2期142-153,共12页 Foreign Literature Review
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二级参考文献14

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