女性 母性 人性——莫言长篇小说《蛙》中“姑姑”的性属隐喻

Feminine, Maternal and Human Natures——The Metaphor of the Aunt's Nature in Mo Yan's River Novel Frog

莫言长篇小说《蛙》以"姑姑"为叙事中心,塑造了一位在特定历史境域中复杂、扭曲、苦涩、挣扎着,且带有政治品质及男性化特色的女性形象。小说对其由多难境域到心灵及精神性转机的体验,直击人们的灵魂深处的痛楚,不仅符号性地包蕴着强烈的历史感,而且内蕴深沉的理性反思。"姑姑"曾经失却女性本有的品性,但她最终以躯体中流淌着的母性血脉而使人性之善得以回归,其中隐含着回溯历史,审视文化,而以深沉的反思及自我救赎,借力自身的行动而达心灵和精神归位,以重建女性、母性及人性的本真。

A feminine image, who was complex, distorted, bitter and struggled, and had the political quality and the virilized characteristic in the specific historical territory, was molded in Mo Yan＇s river no- vel Frog with the narrative center ＂Aunt＂. Her experience to the difficult territory, mind and psychic fa- vorable turn in the novel thrusts directly the pain in people＇s innermost soul, and it symbolically contains not only the intense historical feeling but also deep rationality reconsideration. ＂Aunt＂ once lost actually feminine nature, but she finally enabled the goodness of human nature to return with the maternal blood flowing in her body, which contains recalling the history and examining the culture, and realizes home-re- turning of the mind and the spirit through deep self-examination and self saving and self action, and recon- structs the female, maternal and human natures.