摘要
包括直观表象、本源表象、符号表象和图像表象等在内的广义图像意识行为,实际上是一种直观行为,也就是现象学式的观审即"观看"。由于这种"观看"是"与在场者之在场的觉知联系",它所通达的是事物的理念、观念或种,因此,这种对在场者的觉知乃是表象。"表象"是对在场者的在场即存在者的存在的觉知联系,它是就此在方面来把捉的;而"现象"是就存在者的照面方式来把捉的,不管是显象、现相、纯粹现相均以形形色色的方式奠基于现象。随着现代人成为"主体"之际,现代意义上的表象作为"有所看见"的方式,由现象学式的"观审"或观看转变为"观察"了。这种转变彰显出视觉霸权不仅在古希腊的文化和哲学中就已有它的源头,而且它还延续到了当代。这种霸权所引发的辉煌的、暴力的视觉经验,在现代性中逐渐蜕变为虚无主义,这种"恶意的狂暴"折射出了现代生活的普遍技术化倾向。
Intuition representation,original representation,signification representation and image representation consist of the generalized image-consciousness action.In fact,it is a kind of intuition act,namely,the watching in the phenomenology.This kind of watching is the awareness of the presence of beings which leads to the idea or species.Representation is the awareness of the presence of beings from the Dasein,and phenomenon is grasped from the beings.With the modern man becoming the subject,representation as the way of seeing namely the watching in the phenomenology by the modern man is transforming into observing.This indicates that visual hegemony originated from early ancient Greek and is going on nowadays.The glorious and violent visual experience initiated by visual hegemony gradually degenerates into nihilism in the modernity that shows the tendency of universal technicalization of our everyday life.
出处
《西南大学学报(社会科学版)》
CSSCI
北大核心
2013年第3期100-111,175,共12页
Journal of Southwest University(Social Sciences Edition)
基金
国家社科基金项目"‘文化转向’与视觉文化研究"(08CZW007)
项目负责人:肖伟胜
重庆市高等学校优秀人才资助计划项目"视觉文化转向与当代美学的转型"
项目负责人:肖伟胜