从“文化政治诗学”走向“诗性政治诗学”——读范永康《文化政治与当代西方文论的政治化》

From the "Culture-political Poetics" to "Poetic-political Poetics"——On Fan Yongkang's Cultural Politics and the Politics of Contemporary Western Literary Theory

范永康在其新著《文化政治与当代西方文论的政治化》一书中细致分析了西方当代文论政治化的四条路径:女性主义、后殖民主义、新历史主义与晚期马克思主义,绘制了当代西方政治化文论的全景图,并将其命名为"文化政治诗学",总结了"文化政治诗学"的政治性、批判性、反思性与公共性四大特征。同时,他指出,西方当代文化政治诗学建立在审美性与政治性对立的基础之上,忽略了文学的审美性,故在审美性与政治性融合的基础之上提出了超越性的"诗性政治诗学",从而超越"文化政治诗学"。

Fan Yongkang analyses four paths of political theory of Contemporary Western Literature, femi- nism, post - colonialism, new historicism and the late Marxism, which brings us the panorama of contempo- rary western political literary theory, and it is named as ＂ Cultural -politics Poetics ＂ in his new book Cul- tural Politics and the Politics of Contemporary Western Literary Theory. He points out that Cultural - politics Poetics have four major characteristics, political, critical, reflective and public. At the same time, he points out, the western contemporary cultural political poetics is based on the opposition between aesthetic and po- litical, ignoring the aesthetic of literature, therefore, he produces the ＂ poetic political poetics ＂ on the basis of anatomizing between aesthetic and political which go beyond the ＂culture - politis poetics ＂