摘要
重视内美是中国美学的传统思想,这一思想广泛渗透和表现在审美价值、审美标准、审美生成、审美形态等各个方面。近代以来的一些艺术家和学者总结和发展了这一传统思想,形成"重内美观",把重内美作为中国美学的特征,或做历时的叙述,或尝试以"内美"为核心做共时的理论建构。近年来王建疆提出的内审美理论,将内审美作为一种初级审美形态纳入审美理论视域,使之成为中国美学不同于西方美学的识别标志,从而使重视内美的传统思想走上了理论化、形态化道路。
Attaching great importance to internal beauty is a traditional thought in history of Chinese aesthetic,which has an extensive influence on many expects of Chinese aesthetic,such as aesthetic value,aesthetic standard,aesthetic form and aesthetic creation.Some artists and scholars take inner beauty as an important characteristic of traditional Chinese aesthetic.They have developed the thought by the diachronic description or trying to develop a Synchronic theory.In recent years,the theory of inner beauty has been put forward by Wang Jianjiang,who believes inner beauty as a special form of aesthetic different from other western aesthetic.His theory is a new symbol of the development of the traditional thought.
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2013年第2期42-46,共5页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目"中国审美形态研究"(11XZW001)
教育部人文社会科学基金项目"内审美理论研究"(10YJ751076)
关键词
内美
重内美观
内审美
internal beauty
concept of emphasis on internal beauty
inner beauty