唐初文化之统一过程与宫体诗的衰变

The Process From the Division to the Unification of the Culture in Early Tang Dynasty and the Decay of Palatial Poems

唐初统治者在确立其政权之后,开始了建立文化"大一统"的工作,并通过整合自汉魏以来长期分裂的文化形成了新的文化体系。建构这一体系的主体是来自不同区域的文士,这些文士围绕于帝王周围成为当时宫体诗的创作主体。从而令来自关陇、山东、江左各个不同区域的诗歌创作风格与审美倾向得以交流融合,但也造成了唐初宫体诗内容尚质却又追求形式美的新矛盾,并最终导致宫体诗走向僵化与死亡。这正是后来陈子昂、"四杰"开始寻找新的诗歌创作途径的深层原因。

After the establishment of the regime, the rulers in early Tang Dynasties began to bulid the great unity of cul- ture and form a new culture system by integrating the dispersed culture from Hun and Wei Dynasty. The mainstays of the new system were the scribes from different areas, who stayed close to emperor and also were the mainstays of palatial po- em. This leads to the exchange and integration of different poetic auty, which brings the ultimate rigidification and doom of palatstyles and aesthetic tendencies from different areas, such as Guanlong, Shandong and Jiangzuo. However, it also leads to a new paradox between chasing pristine content and form beial poem. This is the profound reason for poet Chen Zi＇ang and ＂four great poets＂ of early Tang Dynasty＇s search for the new ways of poem writing.