摘要
对话美学是当前主流致思路径,但试图整合各路理论,始终难以建构逻辑自洽的知识秩序。在系统的设立上,滋生有序与无常的矛盾;在意义的衡量上,陷入有量与无量的悖论;在理论的效能上,落入有限与无限的困境。但作为消解现代性、超越后现代的方案与策略,对话美学代表的仍是一种肯定性的力量,具有启示意义。
Dialogue aesthetics is mainstream path of thought, but having tried to integrate various theories together, it always had difficulties in constructing logical self-consistent knowledge order. On the establishment of the system, it has generated contradictions between the orderly and the impermanence. On the measure of significance, it has trapped in a measurable and immeasurable paradox. On the theoretical performance, it has fall into the finite and the infinite dilemma. However, as programs and strategies digesting modernity and surpassing postmodern, dialogue aesthetics is positive and inspiring.
出处
《中国文学研究》
CSSCI
北大核心
2013年第2期17-20,共4页
Research of Chinese Literature
基金
教育部人文社会科学研究西部和边疆地区项目"超越现代与后现代--德勒兹差异思想及其对当代中国美学理论研究的启示"(12XJC751003)
广东省哲学社会科学"十二五"规划项目"文论创新与经典重译"(GD12CZW10)的阶段性成果
关键词
对话美学
文学性
后现代
洛特曼
dialogue aesthetics
literariness
post-modernism
Lotman