“回归本体”与“杂交重塑”的双轨策略——中国戏曲艺术走向漫议

The Future Trend of Chinese Theatrical Performance

中国戏曲作为古典艺术具有某种本质属性,其程式化的表现方式、汉语声韵的曲词和主要取自汉族野史的故事文本与它曾经赖以生存的时代环境有着紧密的共生关系。因此,当生成戏曲这一艺术样式的中国古代封建宗法社会和以儒家文化为主导的民族文化基础已被更为复杂多元的现代文化所取代时,戏曲艺术也随之成为历史长河中的"阶段性"古典艺术。意图通过"改革"产生"现代戏曲"并不具有艺术可能性,古典戏曲将与新编古代戏曲和广义的现代戏剧并存并荣。

Chinese theatrical performance has its own nature as a kind of classic art.Its pattern of expression,the mandarin vowel rhyme and its plots which mainly derived from the grass-roots history of the Han Dynasty,all have a close interrelationship with the historical background in which it had lived.Therefore,when the ancient Chinese feudal ＂family＂ society and the Confucianism dominated national culture,which had given birth to the Chinese theatrical performance,were replaced by the multiple modern culture,the performance consequently became a classic art which existed only in certain period in the past history.To modernize such kind of art through reformation does not have artistic possibility.The classic Chinese theatrical performance will co-exist and prosper together with both the newly composed ancient theatrical performance and the modern theatrical art in broad sense