巴尔巴的戏剧人类学表演原理探究

Barba's Principles of Performance and Theatre Anthropology

巴尔巴使戏剧表演完成了跨文化主义,并在一定程度上推动了戏剧人类学的诞生。戏剧人类学理论在表演美学层面体现了前表现性及其普遍原理,使得表演者依照这些原则并结合其身体和心理进行表演。因此,从动作的平衡性原则、动作的对立技巧性原则、动作的一致的不一致性原则和动作的等量替换原则四个层面出发,可以探知巴尔巴的戏剧人类学作为一种表演美学的实用科学性,并体悟到其最终目的是跨文化追求欧亚戏剧理想。

Eugenio Barba, the Italian dramatist makes theatre pertormance trans-cultural and progresses the birth of theatre anthropology. Theatre anthropology identifies the pre-expressive scenic behavior and the recurring principles of aesthetics for performance in the west and the east. The performer＇s physical and mental presence is modelled according to these principles. If explored in aespects of balance of behav- ior, technique of performing the opposite behavior, the consistency and unconsistency of behavior as well as equivalent substitution of behavior, Barba＇s theatre anthropology is in fact a kind of performative aes- thetics. It is practical and scientific, and aims at transgressing the cultures and pursuing a universal theatre performance.