《石渠宝笈》著录女画家作品辨伪

Detection of The Fake Paintings with Signature of The Female Painters from Bibliographical Description of The Qing Court Collected Painting & Calligraphy (Shí Qú Bǎo Jí)

《石渠宝笈》是清乾隆、嘉庆两朝皇帝谕敕编纂的大型以书画为主的著录文献,由于各种原因,所著录作品并非都是真品,其中10位女画家的49件(套)作品即真伪混杂。本文利用学界现有研究成果,通过款识、印章、画风等对《石渠宝笈》中的马守真、杨婕妤、管道升作品进行辨别考证,指出马氏的《画兰》卷、杨氏的《百花图》卷以及管氏的《竹溪览胜》轴、《画茄》轴、《竹石》轴等皆是伪作,从而为科学认知清宫藏品和古代女画家作品提供参考。

It is thought that all the works collected in Bibliographical Description of The Qing Court Collected Painting & Calligraphy (Shí Qú Bǎo Jí) are not manuscripts for any reasons, involving 49 pieces (sets) of paintings signed the names of ten paintresses comprising the genuine, the fakes and imitations together. By reference to related materials and research achievements, the author examines the seals, signatures, artistic styles of Ma Shouzhen, Yang Jieyu and Guan Daosheng whose works are collected in Bibliographical Description of The Qing Court Collected Painting & Calligraphy (Shí Qú Bǎo Jí), concluding that the paintings of ‘Orchid’ (Huà Lán) in forms of scroll and folio by Ma Shouzhen, ‘Flowers’ (Bǎi Huā Tú) in scroll as well as hanging scroll of ‘Mountain and Bamboo and Stream’( Zhú Xī Lǎnshèng Tú), ‘Eggplant’ (Huà Qié) and ‘Bamboo and Rock’(Zhú Shí) turn out to be the fakes, which thus provides references to further study of the imperial collection and the works attributed to the female painters in ancient times.