摘要
《乐记》从本体论的角度将人的情理诠释为礼乐的本源意义。《乐记》礼乐意义论的诠释逻辑是在以宇宙论赋予礼乐神圣意义的同时又把天道还原为人的情理。这种本体论与宇宙论的互文结构的阐释逻辑具有双重原因,即儒家"述而不作"的阐释学传统与天人合一的思维方式。礼乐意义的情理内涵反映了礼乐本身的实践精神和超越精神。
Music Record interprets human emotion and reason as the original meaning of rites and music from the ontological perspective.The interpretation logic of the Rite-Music Meaning theory is to endow the rites and music with the sacred meaning through cosmology;meanwhile,it reduces the natural rules to human emotion and reason.The interpretation logic of Ontology-Cosmology intertextual structure has double causes： the hermeneutics tradition of Confucian school and the thinking way of Nature-human unification.The emotion-reason connotation of the rites and music meaning reflects the practical spirit and transcending spirit of the rites and music themselves.
出处
《临沂大学学报》
2013年第3期28-32,共5页
Journal of Linyi University
关键词
礼乐意义
天道
情理
互文结构
rite-music meaning
natural rules
emotion-reason
intertextual structure
